Dark street. Wet cobbles. The rain stings where it hits my face – there’s a touch of ice in it – so I keep my hat pulled low and my face angled towards the street. Even with my eyes turned down I can see Father’s feet trudging ahead of me, splashing through the puddles. I wonder if his feet ache as much as mine. You wouldn’t think it from his swinging step. I’m so tired and cold I can barely manage to trudge, but he swings his arms and whistles softly to himself, an incongruous tune that sounds like springtime.
“Nearly there, Nipper,” says Father, and he looks back at me and smiles. I’m glad he’s smiling because it means he’s pleased with the work we’ve done tonight. Pleased with the coins jangling in his pocket, and pleased with me for climbing in that high narrow shop window and letting him in the back. I don’t smile back, because I’m wet and miserable. The scraps I stuffed in my worn-out shoes are no proof against the water washing in through the holes. My arms ache from climbing and my hands are scraped and icy. The rags they’re wrapped in don’t seem to make much difference.
The other reason I don’t smile is because I don’t like him very much. Not anymore.
His name is Neddie Binks. I know he’s not my father, although he has me call him that for the sake of what he calls pathos. In one way he really is my parent, because he’s the only one who looks out for me. He’s all I’ve got, even if he’s sometimes a surly cur, too ready to fly into a temper. I still remember the day I first saw him. I was trying to steal bread off a baker’s cart, thinking the baker was looking the other way, when a big hand came out and grabbed my arm. The baker swung me up and shook me until my eyes rattled. “Thief!” he yelled, looking around for a constable, “Dirty thief!” and he kept shouting, shaking me in between for good measure.
I thought I was a goner, but then Ned was there. He strode up saying: “Tommy, you wicked little bleeder,” looking as angry as a rich man with well-fed morals. I looked around, bewildered, thinking he’d mistaken me for someone – thinking crazily that maybe there really was some other kid there – and while I was looking away he belted me around the side of the head, hard enough to send everything blurry and reeling. I was crying and trying not to cry, trying to stand up straight, while he apologised to the baker and gave him some money, cuffing me every now and then for effect. And, the strange thing was, even though I thought I’d given up caring about stealing, when Neddie Binks started talking to me like that the guilt stabbed through me, a sharp pain in my chest, and I saw a sad lady’s face in my mind, a pretty lady with golden curls and dimples. “How could you, Darian?” she said, and then Neddie took my arm and hauled me off and she was gone.
It took me a while to realise I had exchanged one captor for another.
“If you’re going to steal something, scrapper,” he hissed as he hauled me off, “you have to learn to do it right. I was watching you, and you were hopeless. Your eyes were on the damned bread nearly the whole time. A whole cavalcade of angels could have pranced by in the altogether, blowing on their curly horns, an’ you wouldn’t have noticed.”
So he offered to teach me, not that I had a choice, because, as he was ready to point out, I owed him big.
When Neddie Binks is cheerful, the world is a wonderful place. Everything is painted in luxuriant colours, like a fair or a parade or a bonfire. It’s embroidered with fantastical figures, like rich people’s clothes or the furniture you can see through their windows. Doesn’t matter if it’s snowing or sleeting, his crooked smile is as good as a roaring fireplace when he turns it on you, and you’d do anything, nearly anything at all, for a word of his praise. But when Neddie Binks is miserable, when things don’t go his way, everything is bleached and grey like swollen dead rats frozen in the gutter. The same wit that makes him say things about angels and ancient gods and long dead heroes becomes his dark and twisted master, and if you say the wrong thing, or worse still, are the cause of his displeasure, you’re liable to find yourself stripped naked, tied to a statue and flogged, left out on a snowy window ledge with no way to get back in, or forced to dress in girl’s clothes and used to bait wicked old gentleman into dark alleys. Neddie Binks likes humiliating people when the gloom takes him.
Lately, he’s been in shadow more than sunshine and I’m beginning to think of running away.
But not today – today we’ve scored big, and Neddie Binks is high as a hawk, despite the wind and the icy rain. I follow him to the place where we’ve been squatting – a half ruined house, partly burned down. It’s leaky and draughty, but after outside it feels like paradise. There’s a fireplace we can use, if we have money for coals. Tonight there’s money, and there will not just be a fire, Neddie promises, but sausages and cheese, toasted bread and beer. I try to smile, but I can’t manage. I’m too cold, too tired, too exhausted with living on the knife-edge of Neddie Binks’ moods.
“What’s up with you, Darian?” asks Neddie Binks, looking up from where he’s lit the fire, and I blink at him. He never calls me Darian. It’s always scrapper or nipper, Jimmy ,Tommy, Johnny or spinner. He’s regarding me with seriousness, something that’s foreign to both his usual kinds of mood. “You’re not getting sick, are you?” He face crinkles with concern, making me feel guilty for thinking of running away.
“I dunno,” I say. “I’m just tired. Tired and cold.” I huddle close to the tiny scrap of flickering fire, watching it struggle against the damp of the desolate fireplace. My hands are shaking and they look very blue in the unsteady light.
Something he sees in my face seems to make him worried. “Don’t worry, Darian,” he says. “You’ll feel better once you’re warm and dry with a bit of hot stodge in you. Tell you what,” he continues, “you did a good job tonight – the lion’s share of the work, even – so why don’t you wait here and look after the fire, and I’ll go get us some things and bring ‘em back.”
Neddie Binks might be a sadistic bastard with a twisted sense of humour, and he might be a thief and a scoundrel, but he always, always keeps his word. Unlike some blokes I know he would never say a thing like that and then wander off down the pub for a few drinks and not come back.
“Alright, then,” I say.
“Sit tight,” he says cheerfully, and he hangs his blanket over my shoulders and goes back out into the rain, leaving me wondering how I could possibly think of leaving.
But he’s not gone long before the trouble starts.
It begins with a shout and then the sound of running footsteps. I freeze motionless by the fire, suddenly icy both inside and out. More shouting. “Stop! Hold it!” More footsteps, slipping and slapping on the slick cobbles.
I know what to do. Neddie Binks has taught me well. “Don’t wait around for them to catch you,” I hear his voice echo in my mind, like he was right next to me. “If there’s trouble, go and hide. Pick one of our holes and burrow into it, like you were a snake or a rat or a rabbit, and don’t you move until the next day, no matter how quiet it seems.”
So I leave the fire, and I’m halfway out the back door into the lashing night when an anguished cry rings out, followed a long age later by something softer, a fading inhuman gurgle. The pursuing voices reach a crescendo and then fall into a concerned lull through which one carries clearly, snatched through the wind and rain. “…stolen goods…he had a confederate…search the house…”
Out in the yard it’s tangled and sodden. The ruin of a more badly burnt house looms next door. When it’s daylight you can see how the fire nearly took out the whole row. Someone’s been clearing the collapsed cellar, and tonight it’s become a great sucking hole in the mud, surrounded by steep piles of earth and ash with brown water pooling at the bottom.
The searchers seem close behind me and I scramble down behind the pile of earth. They’re fast and lively, and I’m weary and slow as lingering death. My legs aren’t working. My feet slide haphazardly. I’m too cold to climb the leaning fence, too tired to dart off like a sparrow into the streets, so I look for a place to hide, but there’s nowhere that will do. Then, struck by desperate inspiration and Neddie Binks’ words, I kneel down and dig a burrow in the side of the largest earth pile. The outside is caked into a hardening shell, but inside the mingled ash and dirt is dry and loose, easy to shift. I throw myself into the tunnel I’ve made for myself, drawing Neddie Binks’ blanket in with me. I reach up and claw at the ash and mud above the entrance, pulling it down to gently cover me, hoping that it will be soaked quickly by the rain to blend with the rest. I pull down one armful, then another, and then suddenly it all comes down heavily in great thumping clumps, and I come down with it, slammed hard into my blanket by an unforgiving hand.
The sounds of the world recede. The rain is gone. The cries of my pursuers are left behind, abandoned in the world far above, lost and meaningless. I struggle, but there is no struggle. My limbs are pinned where they were thrown, held fast in the earth’s grip. The blanket thankfully covers my face, but there is no air, none at all. There is no chance. As I fight my impossible battle, a rhyme runs cruelly through my head, a song Neddie Binks sang when his mood was blackest.
Sally, gonna buy you a brand new bow,
(Today O, today O)
Ribbon so red for your hair of snow,
(Coming down today, O)
Sin’s long arm will drag me down,
(Today O, today O)
Lawmen circling all around.
(I’m coming down today, O)
My feet are slow but my mind is clear,
(Away O, away O)
There’s just one road away from here,
(Going far away, O)
Sally don’t know so she won’t cry,
(Away O, away O)
And I’ve got no wings to help me fly.
(Going far away, O)
Lay me down on an earthen bed,
(Below O, below O)
Cold wet clod beneath my head,
(Way down far below, O)
In close-drawn darkness I shall lie,
(Below O, below O)
Sod and stone shall make my sky.
(Way down far below, O)
Poor man’s clothes shall be my shroud,
(Below O, below O)
No fine-spun shirt to keep me proud,
(Way down far below, O)
No copper coin to cap my eye,
(Below O, below O)
No holding hand to help me die.
(Way down far below, O)
No preacher man to tell sweet lies,
(Below O, below O)
No hypocrites extemporise,
(Way down far below, O)
No steady shoulders bear my bier,
(Below O, below O)
No mourning maiden sheds a tear.
(Way down far below, O)
Take my burden, take my woe,
(Away O, away O)
Sally, dream of me while I go,
(Going far away, O)
Bones of silver cleanse my crime,
(Away O, away O)
Sally, don’t wake me ‘fore my time.
(I’m going so far away, O)
It’s not raining any more.
The walls of the ruin soar above me, rising crisp and clear in the cold night air, a silhouetted stairway of broken brick. The sky beyond is dark and gleaming, pierced by a million pitiless stars. A tree hunches by the jagged wall, skeletal winter branches reaching down in a gesture of summoning.
An impossible figure, a tiny gentleman death, skeletal face shining beneath its top hat, mounts the wall. It is absurd and yet completely solemn. It pauses to beckon to me, its macabre figure mirroring the outline of the tree.
It waits with inexorable patience.
I know I must climb, I must climb out of here, up the jagged wall. I must swim away into the pool of the sky’s reflection and then I will be free.